“Secrets of the Sleep Merchants” by William Lindsay Gresham

Back­ground: In junior high Eng­lish class, one of the exer­cis­es was to take a card from a rack, read the arti­cle or sto­ry on it, then answer a series of ques­tions based on that arti­cle or sto­ry. The racks were divid­ed by read­ing lev­el, and most of the stu­dents, includ­ing myself, were giv­en cards from the aver­age lev­el read­ing lev­el. The prob­lem was that even then, I was read­ing at a col­lege lev­el (I read one of my old­er broth­ers’ text­books, “Mythol­o­gy” by Edith Hamil­ton, at the age of 8, and was then answer­ing whole columns (in the form a ques­tion, of course) labeled “Mythol­o­gy” while watch­ing “Jeop­ardy” soon after­ward ) and the selec­tions I was giv­en were rather bor­ing. That was when I decid­ed to try some­thing from the advanced rack, and it turned out to be one of those strange hyp­no­sis-relat­ed coin­ci­dences that pop up every so often in my life.

The arti­cle was enti­tled ‘Secrets of the Sleep Mer­chants’ and it described how carny stage hyp­no­tists of the ear­ly 20th Cen­tu­ry used tricks like chlo­ro­form or hashish to help induce their sub­jects. Every­thing was told from the point of view of the author describ­ing how his father used these tricks. It was a remark­able coin­ci­dence, as by even then I had a strong inter­est in hyp­no­sis. At that time, I decid­ed I would find a copy of this arti­cle for myself, as this was only an abbre­vi­at­ed ver­sion, so I was sure that I mem­o­rized the title of both the arti­cle and the mag­a­zine it was in, “True, the Men’s Mag­a­zine”. Unfor­tu­nate­ly, I soon dis­cov­ered that the libraries did­n’t col­lect the mag­a­zine. For years, I would peri­od­i­cal­ly make a slight effort at locat­ing the arti­cle or the mag­a­zine, with no suc­cess, search­ing at paper col­lec­tors con­ven­tions and approach­ing col­lec­tors, and, then, lat­er, search­ing eBay: of course, it did­n’t help that I could only remem­ber the year of pub­li­ca­tion, 1955 (my birth year) but not the month.

⇒ Con­tin­ue read­ing ““Secrets of the Sleep Mer­chants” by William Lind­say Gresham”

“Batman — The Brave and the Bold”

[http://www.imdb.com/title/tt1213218/]

His­to­ry: It all start­ed with ’ ”Bat­man: The Ani­mat­ed Series” and con­tin­ued with ’ ”Super­man’ “and final­ly “The Jus­tice League”. These series were extreme­ly pop­u­lar with both adults and chil­dren, large­ly for their clever writ­ing and the excep­tion­al voice tal­ents (Michael Iron­side as Dark­seid, Michael Dorn as Kalibak, and, last but not least, Adam West as a washed-up, stereo­typed actor, for exam­ple) under the direc­tion of voice direc­tor Andrea Romano. When they final­ly end­ed, the icon­ic char­ac­ter of the Bat­man was returned to screen in a new series, “Bat­man: the Brave and the Bold”.

So how does it stand up?

⇒ Con­tin­ue read­ing ““Bat­man — The Brave and the Bold””

“Warriors of Illusion”

His­to­ry: The name ‘Jack Kir­by’ is be one that every comics fan should imme­di­ate­ly rec­og­nize: the artist behind the cre­ation of some of the most rec­og­niz­able comics char­ac­ters ever, such as Cap­tain Amer­i­ca, the Fan­tas­tic Four, the Incred­i­ble Hulk, the Uncan­ny X‑Men., as well as draw­ing just about every major comics char­ac­ter in exis­tence for just about every comics com­pa­ny around. He was called Jack “The King” Kir­by and “The King of Comics“1 and deserved ever acco­lade giv­en him.

But there was a time when he was­n’t work­ing in the comics indus­try. Dis­af­fect­ed with both Mar­vel and DC, he went to Hol­ly­wood and worked for the Ruby-Spears ani­ma­tion com­pa­ny, where he helped cre­ate the visu­als for such ani­mat­ed series as “Thun­darr the Bar­bar­ian” 2 and “Mis­ter T” 3. But that was­n’t all he did: he cre­at­ed a large set of pre­lim­i­nary art­work for a num­ber of oth­er char­ac­ters and groups which have not seen the light of day until recently.

⇒ Con­tin­ue read­ing ““War­riors of Illusion””

My Weekly Schedule

When I start­ed this blog, I only thought I was going to post every week. That’s changed.

I am now going with the fol­low­ing post­ing sched­ule, but only the Sun­day will be reg­u­lar. All of the rest of posts, on each day, are occa­sion­al, when I find the time and the mate­r­i­al to write about.

Monday

Mon­day is for “Mon­day Mes­sages” regard­ing blog sta­tus, my sta­tus, etc.

Tuesday

Tues­day is “Tele­vi­sion Tues­day” about new tele­vi­sion pro­grams and episodes worth mentioning.

Wednesday

Wednes­day will be my “Quick­ie Wednes­day” where I blog about items that con­tain only brief men­tions of hyp­no­sis or are rel­a­tive­ly short entries.

Thursday

Thurs­days will see my “New In Comics For the Week of –/–/–”. What­ev­er I find rel­e­vant in that week’s (as they are usu­al­ly avail­able every Wednes­day) comics will be men­tioned here.

Friday

Fri­days will be “Fri­day At The Movies With Hyp­no­Me­dia” about new and applic­a­ble movie releases.

Saturday

Sat­ur­day will be “Exis­ten­tial Sat­ur­days”. This is where I will write about just about any­thing that does­n’t have to do with the Hyp­no­sis in Media col­lec­tion or hyp­no­sis-relat­ed mate­r­i­al in gen­er­al. (This is a shout back to Ellie Blunt and her “Eso­teric Sat­ur­day” entries in “The Trans­par­ent Hyp­no­tist” blog and her gra­cious request for me to pub­lish arti­cles there under that top­ic. That was what got me writ­ing about my col­lec­tion and so is part­ly respon­si­ble for the cre­ation of the blog. Thanks Ellie!)

Sunday

This will be my reg­u­lar week­ly sched­uled post.

“Thirteen Women” (1932)

[http://www.imdb.com/title/tt0023582/]

Cap­sule Descrip­tion: Thir­teen women are marked for death, the revenge of one woman they denied entrance into their soror­i­ty and drove from the school. Armed with the mys­tic pow­ers of her Asian ances­try, she uses the eso­teric pow­er of hyp­no­tism and sug­ges­tion to dri­ve her ene­mies to their deaths, stoop­ing to mun­dane meth­ods of poi­son and explo­sives when those meth­ods fail.

⇒ Con­tin­ue read­ing ““Thir­teen Women” (1932)”