“Dial H for Hero!”

A mys­te­ri­ous tele­phone dial-like device that is capa­ble of trans­form­ing whomev­er dials the let­ters H‑E-R‑O on in into a super­hero, or, rather, a series of dif­fer­ent super­heroes. (Of course, its a lit­tle hard to so describe the H‑Dial now, as tele­phones don’t have dials, they have key­pads.) Boy sci­en­tist Rob­by Reed first dis­cov­ered the H‑dial in a cave in Col­orado and used it to pro­tect the town of Lit­tleville. Sev­er­al years lat­er, teenagers Chris King and Vic­ki Grant would dis­cov­er a dif­fer­ent pair of dials marked sim­i­lar­ly, which they used to become super­heroes. Lat­er, oth­ers, too, pos­sessed one of the H‑Dials. Cur­rent­ly, the pow­er of the H‑Dial is pass­ing among ordi­nary peo­ple in the New 52 DC era.

As might be expect­ed, a few of the heroes these peo­ple trans­formed into had hyp­not­ic powers.

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Comic Archetypes: The Golden Age Hypnotic Heroine

His­to­ry: Look­ing over the diverse cast of hyp­not­ic char­ac­ters in the Gold­en Age of Comics (which is the peri­od from the start of comics pub­li­ca­tion through the end of WW II) one is even­tu­al­ly struck by the ram­pant sex­ism and male dom­i­na­tion involved. There were a num­ber of vil­lains whose pri­ma­ry motif was some form of hyp­no­sis in the Gold­en Age, but almost every one was male, from the shady sideshow hyp­no­tists and crafty con artists to the mys­te­ri­ous mys­tics and malev­o­lent magi­cians to the sin­is­ter sci­en­tists and dement­ed doc­tors. Which should be no sur­prise, as there were very few female vil­lains at all dur­ing that time. Also, the great major­i­ty of these char­ac­ters were “one-shot” char­ac­ters who only appeared in a sin­gle issue: for re-occur­ring char­ac­ters like Lex Luthor, hyp­not­ic con­trol of the hero was a ploy they might use on rare occa­sions but nev­er spe­cial­ized in. Strange­ly enough, or, rather, more like­ly anoth­er sign of the times, is that such hyp­not­ic con­trol was rarely used against or by women. 

There were a few excep­tions, of course, such as the reoc­cur­ring Jus­tice Soci­ety vil­lain­ess Har­le­quin, who used a pair of hyp­not­ic glass­es as part of her cir­cus clown motif, but she was a much more sym­pa­thet­ic char­ac­ter and even­tu­al­ly reformed, and the one-shot vil­lain­ess Lady Ser­pent, who used her hyp­not­ic gaze to mes­mer­ize a female jail guard into let­ting her escape, yet her foe, the Black Ter­ror, fore­warned about her pow­ers, was able to resist her. (Curi­ous­ly, Cat­woman would use use the same trick to escape prison in a much lat­er com­ic, hyp­no­tiz­ing a female guard with a cat’s‑eye-jeweled lock­et.) It almost seems as though the comics writ­ers just did­n’t want to or weren’t allowed to have a female char­ac­ter, hero or vil­lain, who could con­trol the male char­ac­ters: it was accept­able for Luthor to put Super­man under his hyp­not­ic con­trol, but no woman could. Giv­en the sex­ism of the cul­ture at the time, that seems a like­ly explanation. 

But there was one excep­tion to all of this sex­ism, the most famous hero­ine of this era and pos­si­bly any era. And that was Won­der Woman. 

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“Hip Knox — The Super Hypnotist”

It just goes to show that there’s always some­thing else to dis­cov­er out there, even when deal­ing with such a nar­row field of inter­est as the cross-over between hyp­no­sis and media. As a major super­hero com­ic fan and being some­what knowl­edge­able about their his­to­ry, I thought I knew of most every super­heroic hyp­no­tist but there is one that I learned about only recently.

That super­hero is “Hip Knox — The Super Hyp­no­tist”. Hip Knox appeared in Super­world Comics #1–3, along with his bit­ter rival, a thug­gish crim­i­nal named McFadden.

But there’s a sto­ry behind the com­ic and the hero.

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“Batman — The Brave and the Bold”

[http://www.imdb.com/title/tt1213218/]

His­to­ry: It all start­ed with ’ ”Bat­man: The Ani­mat­ed Series” and con­tin­ued with ’ ”Super­man’ “and final­ly “The Jus­tice League”. These series were extreme­ly pop­u­lar with both adults and chil­dren, large­ly for their clever writ­ing and the excep­tion­al voice tal­ents (Michael Iron­side as Dark­seid, Michael Dorn as Kalibak, and, last but not least, Adam West as a washed-up, stereo­typed actor, for exam­ple) under the direc­tion of voice direc­tor Andrea Romano. When they final­ly end­ed, the icon­ic char­ac­ter of the Bat­man was returned to screen in a new series, “Bat­man: the Brave and the Bold”.

So how does it stand up?

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