“Dungeons & Dragons” — The Hypnotic Side

When Dave Arne­son showed Gary Gygax the new game he and his friends were play­ing, it prob­a­bly did­n’t occurr to either that they were on the brink of cre­at­ing not only a new game but an entire­ly new type of game, result­ing in a rev­o­lu­tion­ary new gam­ing industry.

Dave Arne­son took the tra­di­tion­al minia­ture game, where minia­tures rep­re­sent­ed groups of indi­vid­u­als and start­ed using them to rep­re­sent indi­vid­u­als. He also added the ele­ments of char­ac­ter class­es and expe­ri­ence lev­els, allow­ing for char­ac­ter spe­cial­iza­tion and growith. This was a rev­o­lu­tion, in that play­ers could project them­selves into the char­ac­ter, devel­op­ing them over time and play. Since both he and Gary Gygax were avid mina­ture ship game play­ers, he shjowed Gary his game and togeth­er they cre­at­ed Dun­geons & Drag­ons.

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“Magic Knight Rayearth”

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[amtap book:isbn=1595825886]

In “Mag­ic Knight Rayearth”, three Japan­ese high school girls are trans­port­ed to the fan­ta­sy realm of Cephi­ro on a mis­sion to save it and res­cue Princess Emer­aude from the grasp of the evil High Priest Zagato.

Except its not that easy, nor is it that cut-and-dried. Zaga­to has a host of fol­low­ers to attack and divert the three girls on their mis­sion to gain the pow­er they need to com­plete their task; in addi­tion, there’s anoth­er sto­ry behind the one before them, one that will result in pain and suf­fer­ing for all involved.

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“GuildWars”

His­to­ry: In 2005 I won a copy of the online game Guild­Wars with­out real­ly want­i­ng it. There­fore, I didn’t exam­ine the game for a month or so, fig­ur­ing I didn’t have time for an online game, but the box art­work and some of the things I saw about it online con­vinced me to take a fur­ther look. Lit­tle did I real­ize what I was going to get myself in to.

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“Warriors of Illusion”

His­to­ry: The name ‘Jack Kir­by’ is be one that every comics fan should imme­di­ate­ly rec­og­nize: the artist behind the cre­ation of some of the most rec­og­niz­able comics char­ac­ters ever, such as Cap­tain Amer­i­ca, the Fan­tas­tic Four, the Incred­i­ble Hulk, the Uncan­ny X‑Men., as well as draw­ing just about every major comics char­ac­ter in exis­tence for just about every comics com­pa­ny around. He was called Jack “The King” Kir­by and “The King of Comics“1 and deserved ever acco­lade giv­en him.

But there was a time when he was­n’t work­ing in the comics indus­try. Dis­af­fect­ed with both Mar­vel and DC, he went to Hol­ly­wood and worked for the Ruby-Spears ani­ma­tion com­pa­ny, where he helped cre­ate the visu­als for such ani­mat­ed series as “Thun­darr the Bar­bar­ian” 2 and “Mis­ter T” 3. But that was­n’t all he did: he cre­at­ed a large set of pre­lim­i­nary art­work for a num­ber of oth­er char­ac­ters and groups which have not seen the light of day until recently.

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