“Dungeons & Dragons” — The Hypnotic Side

When Dave Arne­son showed Gary Gygax the new game he and his friends were play­ing, it prob­a­bly did­n’t occurr to either that they were on the brink of cre­at­ing not only a new game but an entire­ly new type of game, result­ing in a rev­o­lu­tion­ary new gam­ing industry.

Dave Arne­son took the tra­di­tion­al minia­ture game, where minia­tures rep­re­sent­ed groups of indi­vid­u­als and start­ed using them to rep­re­sent indi­vid­u­als. He also added the ele­ments of char­ac­ter class­es and expe­ri­ence lev­els, allow­ing for char­ac­ter spe­cial­iza­tion and growith. This was a rev­o­lu­tion, in that play­ers could project them­selves into the char­ac­ter, devel­op­ing them over time and play. Since both he and Gary Gygax were avid mina­ture ship game play­ers, he shjowed Gary his game and togeth­er they cre­at­ed Dun­geons & Drag­ons.

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“Magic Knight Rayearth”

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[amtap amazon:asin=B000IMVE3M]

[amtap book:isbn=1595825886]

In “Mag­ic Knight Rayearth”, three Japan­ese high school girls are trans­port­ed to the fan­ta­sy realm of Cephi­ro on a mis­sion to save it and res­cue Princess Emer­aude from the grasp of the evil High Priest Zagato.

Except its not that easy, nor is it that cut-and-dried. Zaga­to has a host of fol­low­ers to attack and divert the three girls on their mis­sion to gain the pow­er they need to com­plete their task; in addi­tion, there’s anoth­er sto­ry behind the one before them, one that will result in pain and suf­fer­ing for all involved.

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“Hypnotique” by Max Factor

For the women born to enchant men. Max Fac­tor’s Hyp­no­tique … the new fra­grance that’s cap­tured the very essence of wom­an’s pow­er over men. Cool­ly and with great ele­gance Hyp­no­tique attracts … holds … per­suades … and then! Any­thing can hap­pen! (Adver­tis­ing copy from the first mag­a­zine ad.)

Descrip­tion: All cos­met­ics, includ­ing fra­grances, are designed in part to attract and focus atten­tion on the wear­er. Some fra­grances are just a lit­tle more bla­tant about it. Fra­grances with names like “Spell­bound”, “Hyp­nose”, “Mes­mer­ize” or “Hyp­not­ic Poi­son”  bla­tant­ly sug­gest the pow­er of com­mand­ing and con­trol­ling men (although Avon’s “Mes­mer­ize”, which was orig­i­nal­ly a wom­an’s fra­grance, is now being more direct­ly mar­ket­ed toward men, strange­ly enough.) Even fra­grances not so named are fre­quent­ly adver­tised using hyp­not­ic ter­mi­nol­o­gy and imagery.

But one of the ear­li­est and cer­tain­ly one of the most bla­tant of the hyp­not­ic cos­met­ics was “Hyp­no­tique” by Max Fac­tor. Released in the late 1950’s, the hyp­not­ic imagery was very notice­able in the mag­a­zine ads:

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