‘The City of Doom’ by Maxwell Grant

“Who knows what evil lurks in the hearts of men?” — The Shad­ow knows!

A Maxwell Grant (aka Wal­ter B Gib­son) tale of The Shadow.

One by one, the indus­tries around the town of Hamp­st­ed have suf­fered impos­si­ble acci­dents, and each appar­ent­ly at the hands of their most trust­ed employ­ees. The toll in human lives is fright­ful, and the psy­chic toll on the cit­i­zens of Hamp­st­ed is even more oppres­sive. Such an implau­si­ble array of acci­dents draws the atten­tion of The Shad­ow, espe­cial­ly when one of his most val­ued agents, Har­ry Vin­cent, has dis­ap­peared inves­ti­gat­ing the scene.

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The Hypnotic Tarot — Part I: The Suits

I have quite an inter­est in the Tarot, large­ly from a sym­bol­ic and pos­si­bly even a Jun­gian per­spec­tive and cer­tain­ly from an artis­tic stand­point. As an art col­lec­tor, I have sev­er­al pieces of art that are based on the Tarot, includ­ing “The Star” by Frank Kel­ly Freas 1 that is one of the “stars” of my entire collection.

I also know that it is com­mon for Tarot enthu­si­asts to cre­ate their own Tarot deck: doing so not only per­son­al­izes it, it deep­ens the con­nec­tion with the Tarot sym­bol­o­gy and imagery for the indi­vid­ual. There­fore, its only nat­ur­al to com­bine this inter­est with my inter­est in hyp­no­sis to want to cre­ate the Hyp­not­ic Tarot deck. Of course, one caveat: every­thing sur­round­ing the Tarot is open (and quite fer­vent­ly) to dis­cus­sion and argu­ment, from the his­to­ry of the Tarot to the indi­vid­ual mean­ings of each sym­bol. What fol­lows is my own inter­pre­ta­tion which has about as much (or as lit­tle) valid­i­ty as any one else’s.

This first part will dis­cuss the basic ele­ments of the Tarot, the suits and their accom­pa­ny­ing sym­bols. The Suits order the Minor Arcana, the 52 cards that even­tu­al­ly became the play­ing cards in use today. The Suits and their sym­bols also appear reg­u­lar­ly in the Major Arcana. Sub­se­quent parts will cov­er the Major Arcana and the indi­vid­ual Suits of the Minor Arcana.

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“Jane Annie” by J M Barrie and Arthur Conan Doyle

Giv­en the peo­ple behind it, it should have been a success.

It wasn’t.

“Jane Annie, or The Good Con­duct Award” was an opera writ­ten by J M Bar­rie (of “Peter Pan” fame) and Sir Arthur Conan Doyle (of Sher­lock Holmes fame) with music by Ernest Ford, for the Savoy The­atre by Richard D’Oy­ly Carte. Four of the biggest names (Doyle, Bar­rie, D’Oy­ly Carte and the Savoy The­ater) in the Lon­don lit­er­ary and the­atri­cal cir­cles could­n’t save what would turn out to be the the­ater’s first true flop.

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GenCon Findings — 2011

This past week­end I attend­ed Gen­Con, the major gam­ing con­ven­tion in the US. As usu­al, I am look­ing for inter­est­ing and unusu­al role­play­ing games, espe­cial­ly ones that have ele­ments of hyp­no­sis or mind con­trol as part of the char­ac­ter designs or in the oppo­si­tion. This year, I found three such games.

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